Going Direct | Lulu Cheng Meservey | Ep. 25
By Uncapped with Jack Altman
Summary
## Key takeaways - **Comms: The Final Human Bastion**: Communications will remain a uniquely human skill, irreplaceable by AI, making it the ultimate ability to master for persuasion and connection. (00:02, 46:14) - **Aura is Code for Communication Skill**: A founder's 'aura' is essentially a measure of their communication effectiveness; you cannot project charisma without the ability to clearly articulate your company's value. (01:24, 02:04) - **Narrative Arcs Drive Expectations**: Every story has an arc, and founders must consciously position themselves on this arc to manage expectations, signaling whether they are on the rise or decline. (07:03, 08:12) - **Underrated is a Compliment, Overrated is Not**: People are motivated to 'correct' perceived imbalances in reputation; being seen as 'underrated' invites positive attention, while 'overrated' attracts criticism. (11:46, 12:00) - **Napoleon: Master Recruiter and Brand Builder**: Napoleon recruited effectively by giving his soldiers a grander mission, rebranding battles, and creating aspirational group identities like 'the men without fear,' demonstrating the power of narrative in leadership. (35:55, 37:48) - **Word Choice Shapes Perception Dramatically**: Subtle differences in word choice, like 'ravaging crime' versus 'crime as a disease,' can fundamentally shift public perception and influence desired actions. (30:30, 30:45)
Topics Covered
- You must control your company's narrative arc.
- Why you always want to be underrated.
- Use three circles to find your message.
- What Napoleon can teach you about recruiting.
- Why is communication the last uniquely human skill?
Full Transcript
The thing that I have extremely high
confidence in is that comms is the final
bastion of human ability
>> where 10 years from now, 50 years from
now, the ability to persuade and win
over and make other people fall in love
for other humans will still be uniquely
human.
>> I'm really happy to be here with Lulu
today. Lulu, I was just asking you
before like what's the right way to
introduce you? The way I would describe
you is like a startup whisperer for
comms behind like, you know, amazing
companies, amazing investors. I don't
actually know the full scope of how you
do what you do and what it all is, but
um it's really incredible and uh you're
one of the most thoughtful people on how
people communicate, position things, and
so I'm really excited to talk about this
and learn from you today.
>> Thank you. Yeah, I'm stoked. Why has
comm's been having like the moment that
it's been having? And um I feel like in
the last few years, people have started
like understanding what it is better and
dissecting it and applying it and being
more thoughtful. I think com has started
to get paid more, which is appropriate.
I think you can really feel it online,
the companies that have it nailed, the
ones that don't. But like, why has it
become more of a thing in recent years?
Seemingly,
>> I think we're all just pattern
recognition machines. And when we're
seeing that the companies where the
founders have the most aura and the
companies that have built these
impressive cults and the companies that
have the best reputations are getting
the best people and are winning and are
worth the most then the founders coming
up say I want to do that too. It feels
like even though so like even that word
aura I feel like there have been more of
these lately where I'm like there's
cracked kids and there's like we have a
lot of aura and there's like vibes and
it seems to me maybe this is always
happening but it feels more lately that
people are more attuned to these words
and these positions and what's the
energy of the company and the thing is
that does it feel like that to you?
Yeah. And it's actually um handinhand
with people caring more about comms and
how they're perceived. Like aura is code
for how good of a communicator you are.
You you can't be bumbling your way
through a sentence and not able to
describe what your company does and then
still have aura as a founder. That's
very difficult. So I I think that people
are just seeing the pattern that the
people with stronger reputations that
other people think more highly of and
are more impressed with are the winners.
And they're trying to figure out ways to
recreate that. And so some are trying to
do it with these cinematic videos and
some are trying to do it with various
forms of aura farming. Some are hiring
online influencers which I'm a little
bit ignowed by. But everyone's trying to
approach it in in these different ways.
But there actually is time-tested grand
strategy for how to curate a reputation.
If you take a holistic approach, it is
like you start with what are you trying
to achieve? And it it's not what I want
to try to achieve is people love me and
think I'm great. What I want to try to
achieve is to uh save the US military
innovation future by equipping them in
the right way or to build the software
engineer of the future or to uh build
super intelligence right and that's what
I want to achieve and as a means to that
end what do people need to know about me
obviously it has to be true but out of
the set of 10,000 things that could be
true what are the things that people
care about and that are useful for this
project and so thinking about it through
those terms. Sometimes it'll lead you to
doing the standard checklist of like
video, influencer, tweet a lot,
whatever. But sometimes it'll lead you
to launch a fellowship program, host a
competition, turn down certain
opportunities. You know, it it might
actually be um outside of distribution
compared to what you you're seeing other
people do. When you think about like the
most successful comms, either just
campaigns or chapters or people or
companies, is it more about clarity in
what they say or is it more about like
the way they say it and what the
personality that they show as they do
those things? Cuz you know, like I think
having a clear mission and clear
articulation is really good. But we can
all think of these examples where like
many companies are all basically saying
the same thing, but for some reason
everybody wants this one to win. And
then when people want this one to win,
it becomes easier for them to win. It's
like what is Yeah. What's the balance
here?
>> Yeah. So, two things. The what and the
how are both more useful and important
than the where. Uh have you seen this
comic of Waldo sitting at a bar and he's
looking sad and he's got a drink and the
caption is nobody ever asks how is
Waldo.
>> I love that.
>> Everybody is always saying which podcast
can we go on? Nobody ever asks how do we
get people interested once we're there.
So, the what and the how are both
important. I will say one thing that
people probably underrate is that if
people just like you in their gut, they
will figure out ways to try to help you
be successful and they will kind of
reccon to themselves the thing that they
heard and how compelling it was and
they'll just like help you inside their
own mind.
>> Yeah. It's like one of the founder
archetypes I think about a lot is not
like you know there's there's many
intersecting things that are very
valuable like there can be visionaries
and there can be deeply technical people
but there's also this type or this
characteristic that can overlay where
people are just so magnetic so likable
so just pure seeming whatever where just
the whole world wants to see them win
>> and I think I don't know what that is
but that seems like a very important
thing here
>> a lot of it is pure honest conviction
and confidence this is what you You and
I can't get through a conversation
without talking about Napoleon. So,
we'll get to that. But some of it is if
you just have complete confidence that
this thing that you're doing is right
and you're going to win and it's
inevitable and you just simply share
that with people, they will feel that
emanating from you and it's very hard to
resist. And this is true in the past
when people have had to run into a storm
of bullets in order to achieve this
thing that you've told them must happen
and will happen or today if people need
to leave their jobs and come, you know,
turn their lives upside down to work
with you. So I I think some of it is
just like another human being telling
you with complete confidence and
conviction that this is the thing that's
going to happen. And that's the thing
that AI will not be able to take away
from us. We'll see. But but you know AI
will be smarter and better than us in
many ways. And people who deny that are
just coping. A lot of these like AI can
already do better than me, but it needs
me doing it's like no, you're just
asking for a DI program for yourself as
a human, you know, like like
>> um AI can do better, but for convincing
other humans, I think will always take
humans. I think that actually
communication will be the skill that
humans need.
>> When you start work on helping a company
position itself or get its brand right
and you think about stories, what goes
into that for you? And so like you know
what I'm imagining is I got to like tour
the like Pixar studio one time and like
meet some of the people there and it's
like the thoughtfulness and the
deconstruction of a great story is just
such a science and I'm wondering if you
could break down what's the what are the
lenses or the attributes of a great
story in tech. Every great story has a
problem and a resolution. And the way
people think about where you're headed
from here is um by thinking about where
you are on that curve. You know, what
goes up must come down. Um pride comes
before the fall, darkest before the
dawn. We have all of these different
phrases for things meeting a resolution
is the same way that supposedly Eskimos
have so many words for snow. It's
because we have this deep deep
attachment and commitment to seeing
stories through. So we assume in our
heart that every story has to have a
problem that then gets resolved somehow
and if someone flies too close to the
sun, they have to come crashing down to
earth. And if it doesn't happen, if the
story was Icarus then flew happily away.
>> It's not a story. Or if somebody crashes
down and doesn't make their way back up,
if we were to see a movie like that, we
would not be able to sleep. People would
hate that movie and not know why. It's
like this uncanny valley of a story that
was kind of head in the right direction
but didn't quite get to the other side.
And so every story has that arc. Um a
narrative arc is literally an arc. It
goes one direction and then it comes
back the other direction. The way this
is relevant for founders is you need to
help people understand where you are on
that arc and where the arc is headed.
You don't get to choose that there's an
arc and that people will think there's
an up and a down and a start and a
beginning, middle, end, but you you get
some agency in where people think you
are on the ark. And if people think that
you have crested or you've already hit
the apex and your past days are behind
you, then they assume that you must be
coming back down. Or if people feel that
you're actually just hitting the knee of
the curve to go up, then they assume
that some greatness awaits in the
future. You So, so you get to choose.
Are you um on this kind of an arc where
you've already passed
>> Yeah.
>> the the apex.
>> There's always an arc.
>> Yes. Or do you get to choose whether
you're on this part of an arc and you've
come through struggles and you're
destined for greatness.
>> So what is the ark? Where are you on the
ark? And people will fill in the rest of
where they assume you're going to go and
where you deserve to go.
>> I guess also companies need multiple
arcs of course. And so you think about
the companies that have gone really far.
There have probably been so many minor
and major arcs and resolutions and then
there's a new tension that's created and
resolved. And I guess that's a big part
of it too. It's like you almost need to
create the next tension point for the
next story.
>> It's sort of like the S- curves of
technological adoption. You know,
there's you can be on one S-curve, but
you know that there's others coming. You
know that there's a there's a bigger
arc. It's sort of like in um what was oh
Men in Black where there's like a
universe in the universe and another
universe or like the stock market where
there's the zigzags every day but then
you can zoom out to the month or the
year and then um over the decades like
each of the ups and downs are part of
some bigger up and down. The point of
this for founders is just you if you
know that people think this way then you
have to be really conscious about where
you are positioning yourself on those
arcs because people will judge you by
that and that's um it'll shape their
expectations on if you're headed up or
down.
>> So how do you create those arcs? Like if
you're sitting there and you're running
a early stage company or maybe it's not
so early stage, how do you make an arc?
>> There's two things that you need people
to believe. So first of all imagine that
people's opinion of you is like a living
is like a living thing and and the story
that the uh take a set group of people
that's your audience like let's say that
um my company needs to hire software
engineers and I'm talking to like Bay
Area software engineers and that's the
people that I care the most about among
those people my story will be kind of a
living thing that has a homeostatic set
point like um your body sorry this is
like such a
round to the answer. I'm like,
>> here we go.
>> Unfortunately,
I'll lay out the ingredients and then
I'll put them together.
>> Um, imagine that the the story among
those people is a living thing. And
imagine that that living thing has a
homeostatic set point. This the way that
your body temperature does, your body
temperature doesn't have really like a a
neutral, you know, it's supposed to be
at 98.6, let's say. Is it still that?
There's like some new science.
Let's say let's call it that. that
>> if it's above that then the body will
regulate to bring the temperature down.
If it's below that regulate to bring it
up if it's far below that it'll try
really hard to heat up. The way this
translates to the story is people have
an assumption of the level of
celebration you deserve.
>> Interesting,
>> right? Like how good you are and how um
much reputation you deserve.
>> How do people decide that?
>> Let's get to that. Cuz you you you want
to try to engineer it.
>> Yep. If you're above that, people think
you're overrated and they want to bring
you down and they don't like you. If
they perceive that you're below that,
then you're underrated. Like underrated
is a compliment. Why is it why is it a
good thing to be poorly rated? In my
mind, it's sort of like you fumbled.
Like what do you mean you're not
wellrated? Like go fix it.
>> It's an interesting point.
>> But underrated is a compliment.
Overrated is an insult. You would think
that being highly rated is good. But
overrated is not. So people want to fill
that delta. If they think you're
underrated, they'll try to bring you up.
So, this is like what people we'll get
to this too, but uh this is what people
have been saying about Google Gemini.
>> It's underrated. It's like it's high
status to say,
>> yeah, it's a compliment, but it's
>> it's a compliment, but it's also like
seen as insightful and valuable and
useful to point out that Google Gemini
is good.
>> That's true. Yes. People feel good when
they make that point.
>> Yeah. They're like, I'm pointing this
out. So, I'm I'm writing some kind of
wrong in the universe. I'm filling that
out.
>> I guess people also feel good about
themselves when they call it something
overrated. People just feel good about
identifying the discrepancy. We're all
kind of reputational Karens. That's
interesting. We want to like bring
people and companies to the level that
we think they should be. People feel
really I'm thinking people think really
smart when they make these points.
>> All of us.
>> It is all of us. We feel off
>> when something isn't where it should be.
And that's why all these phrases exist.
So anyway, when you are the founder and
you want people to think of you well,
you want people to think that you're
underrated because you want people to
think that your true value is even
higher than the market is placing on you
right now. Even if that's high, your
true value is like even higher and your
best days are ahead of you and things
are even if they're good now, they're
going to be amazing in the future,
right? And so how do you get people to
think that? Well, there's two points
that are relevant. One is where should
you be valued? like what is the correct
homeostatic set point for your story and
reputation and the other is where are
you now relative to that. So where a
founder would go wrong would be if you
are saying um our mission is to do this
thing and we are achieving it then
people are like oh have you already you
you were meant to go here and now you're
here like so founders will talk a lot
about mission statements and uh I think
a lot of mission statements are either
so lofty and generic that they don't
mean anything and so people don't have a
set point they'll just make one up or
they're so current and not sufficiently
timeless that people feel like you you
did it like what now?
>> So, um choosing what the natural end
point is and then choosing how to show
people where you are relative to that.
>> It's an interesting point about not
wanting to seem overrated because you um
there there's also, you know, you want
to you want to be relevant and you want
people to take notice and usually people
do that through look what I'm look what
I've done and look what I've built and
look at these customers I have and all
of those things. So, it's an interesting
balance where you were trying to in a
weird sense be very loudly underrated or
something like that.
>> Yeah. Yeah.
>> Yeah.
>> Crypto was a good example of this. NFTTS
were a really good example of this where
I happen to agree there was like some
natural
value that NFTTS could have had, but but
it just soared so far beyond that.
>> It got crazy.
>> Got crazy. You just saw people trading
things where you're like, I can print
and everybody kind of was like, this
doesn't make sense. And at the same
time, these things are trading for
millions of dollars.
>> Yeah. Open Doors is an interesting
example. Now, my friend Cass, who used
to be president of of Shopify, uh, went
to go run the company and things have
been bumping overnight because people
are just optimistic about where the new
natural set point for the company is.
He's going to be making a lot of changes
to product and R&D and to the team and
culture. He's already started announcing
some of them. None of those materialized
in the first 24 hours. The only thing
that materialized was this guy who
showed up and said, "I'm going to do
this." So, the pretty significant jump
in the stock was based on trusting him,
>> liking him, believing that he can get it
done, right? It wasn't actually anything
that happened in those 24 hours, but
people reset what they thought was the
homeostatic set point for that company.
>> Yes. And then all of a sudden, it was
underrated.
>> All of a sudden, it was underrated,
undervalued.
>> That's right. Do you think all companies
just necessarily have to go through
these ups and downs? Are there examples
of a company you've ever worked with
that just like stayed maybe not right on
the line, but that didn't have the
dramas of the ups and downs and kind of
just hung pretty close to homeostasis on
its way up?
>> I think the more ambitious a company is,
the harder it is to stay steady with
that. If you're ambitious, it's sort of
like some of the most ambitious
companies in the world today are these
big AI labs. They are making massive,
massive bets. And each of these bets, if
they pay off, lead to massive massive
returns. And if they don't pay off,
could lead to just complete abject
failure and destruction and ruin and
humiliation, right? And the way that
this works is it pegs to your narrative.
Like it there's volatile ups and downs
and and the the slopes are just steeper.
>> Whereas if you are a very steady kind of
consumer company of of
your um like Chick-fil-A,
>> you know, pretty much like some they've
had some dramas.
>> They've had some dramas, but the dramas
didn't really seem to affect the chicken
consumption.
>> Now, people still like the sandwiches.
You're right.
>> It's like, if you like these sandwiches,
come and eat them. You know, and now
with Maja, people are saying these
sandwiches will kill you, but the people
who were eating the sandwiches weren't
eating them because they thought they
were healthy. Like, so
>> there's also some health kicks that go
like even just broad health kicks. Like,
you know, how bad are microplastics?
People are like, "It's terrible." And
they're like, "Ah, whatever."
>> There's a lot of that.
>> Just doesn't seem to matter. We're still
using a lot of plastic.
>> Yeah. like the plastic list project came
out with um uh those fair life those
core power core power shades had ton of
phalates I went over there and you know
there's one in the fridge I'm drinking
it it's like yeah
whatever there's a whole other lens that
you've spoken about that you know is if
what we just described is sort of like
the flow of the up and down there's
another lens you've talked about with
like circles in storytelling and like
that that's more like the stock of where
you're at can you talk about that
>> yeah yeah I think about flow and stock.
So like um flow is more like a
trajectory of where are you going and
and drawing out the long arc for people
and telling them what to expect and
stock is more like at this moment in
time what do you say okay a bad recipe
for this is what sounds good what's
going to get the most engagement um good
recipe for this is based on what I'm
trying to achieve what is the circle of
things that are true and then what is
the circle of things that are relevant
and interesting and then what are the
circle circle of things that are
strategic or helpful to the business.
So, let's say um that we're starting a
what company should we start?
>> An AI personal tutor.
>> Okay, we're starting an AI personal
tutor. And uh the circle of things that
are true about us are that we have um we
have discovered that one-on-one tutoring
u immediately puts you in the 99th
percentile of student results and that
it's worked throughout history. there
are military studies that confirm this
and that people want this for their
children because uh there's so much
controversy about schools being a mess.
Um and there's facts about Jack is a
repeat founder who you would be the CEO
how chief staff
>> and so like Jack is a repeat founder and
uh has scaled and grown companies and
and has seen these and and has children
of his own. He's a father. Then the
circle of things that are relevant to
today are everybody's excited about AI
looking for real use cases and and solid
business models. Um that the education
system is in high controversy and tumult
and that this next cohort of kids who
are now in K through 12 are going to
graduate into a world where AGI has made
it very unpredictable how they're going
to make a living.
>> And then the circle of things that are
helpful to the business are like easy to
use. We partner well with schools. We
can layer on top of traditional
schooling. You don't have to go full
homeschooling in order to use us. In
order for us to decide like you're going
on uh a podcast today and how are you
going to describe the business? We would
want to look at the overlap between all
three of these circles. So there are
things that might be true and relevant
>> um but not helpful. So maybe it is true
that you what's your what's one of your
hobbies on here?
>> Music. Yeah, like you're really into
music and um it is relevant because
there's some study that music helps with
neuroplasticity in in young children and
helps to form a stronger brain, but
we're not ready to offer that product
yet. And if we advertise it, it doesn't
actually help us right now. So like
that's not useful. Anyway, you could go
through all of these examples. There are
companies today
that
have left out the third circle of is it
useful and strategic.
>> There's this question of like is all
press good press? And like we could say
something right now. If I said say
something to just try to make this next
60-second clip do the rounds. Don't
worry about any other variable. Just do
the rounds with the next 60 seconds. You
could say something nuts and make sure
that this clip went viral.
>> Yeah.
>> But that doesn't necessarily help. And
I'm curious actually your take on this
specifically of this like all press is
good press thing because this is like
you know taking this circles analogy.
This is basically saying if I'm just
going to go nuts on relevance I'm going
to drop the other stuff.
>> There are a lot of people who think
that's good.
>> Yeah.
>> I I think based on your framework you're
actually kind of implying it's not.
>> You could potentially super handicap
yourself in the future. So imagine that
you're saying something that is true
about you and it is relevant but it is
not useful to say. So um there's a lot
of controversy about is it useful for
clue clue to say cheat on everything and
then they're explaining well cheating
isn't technically cheating when we it's
a very valid question to ask is that
useful for the business because now you
have distribution and and let's say you
reach millions of people and you've told
those millions of people that your ethos
is cheating and you're building products
really quickly and so now your question
is going to be is that useful for the
business we're trying to build. Well if
the business is um figuring out a way to
make a sizzly video no matter what then
it would be. If the business is let us
record your screen and trust us with
your data, then it might not necessarily
be. So, it's worth looking at all three
of those.
>> I guess the gamble could be can you
change your narrative over time. In
other words, like let's take that clue
case study. Can you get a huge amount of
distribution with something that feels a
little, you know, tricky next to the
trust us with your information kind of
thing, but then can you basically get to
that place a year from now with a lot of
distribution and say we actually have a
way to now navigate the other side of
that
>> and have a new story that matches, but
now we have the distribution. Like, do
you ever see that or do you think it's
really hard to change the ethos of what
the company was to try to make those
kind of moves? I think anything is
doable, but it is hard, especially if
it's something that accrves to
personality and trust. Um, cuz people
can believe that your business model
will change. So like Figma literally
changed who they were as a company in
the sense of like they changed what they
were focused on as a business. But if
you're somebody who trusts Dylan Fields
to to to steward your data and to care
about you as a customer and as a person
or as an investor, you would trust him
no matter what. And
>> he's an amazing example, by the way, of
somebody that everybody just always
wanted to see him win.
>> Yes. Everybody wants to see him win. And
he even got the narrative arc with the
Adobe thing and
>> Yeah. Yeah. Yeah. And and he's been
winning and we still want to see him win
even more because we think that the
correct level of winning for Dylan has
not achieved yet has not been achieved
yet. You know, Dylan could say today I'm
starting a new company that does who
knows what and everybody would be like I
hope he wins.
>> Yeah. Exactly. Absolutely. So, it it's
harder to pivot who people think you are
as a person because
>> either um you're flighty and fickle, you
know, as as an adult
>> or something doesn't add up and
something wasn't true before.
>> Here's an interesting question. Do you
feel like who people are from a comm's
perspective is what it is and you're
basically just trying to expose the
truth more or are you more of the view
that we can actually position somebody
like when you work with somebody are you
like in your head are you like you're
actually this way but we're going to
make you seem this way a little bit more
or are you like we're going to expose
true attributes about you but we can
only work within the confines of what's
true about you.
>> I think more the latter. I think there
are different archetypes of people, but
um you got to lean into the thing that
you are. And it's like Charlie Mer said,
you can always invert. Like everything
has two sides. And so if someone is more
remote and more cold um and they're not
like the warm and fuzzy type with people
to try to position them as that because
you think people want a manager that has
empathy is just hard. it's it's it's
going to come across uncanny valley
where it's like I see what you're saying
but I don't feel it. Um whereas if you
actually lean into this is a technical
genius who is in the lab cooking up
something amazing and you can be part of
this team, you'll attract people who
want that and that's actually the right
thing long term. What you don't want to
do is bait and switch someone into
joining the company for example because
they think that they're working for this
type of guy and then that guy just
doesn't actually show up to work. He was
only on the podcast.
>> Yeah. You basically have to lean into
authenticity, but you can choose which
parts of somebody's overall shape to
emphasize.
>> Yeah. Most people don't know you as a
founder personally, and they don't get
to shape. So, so there's like a there's
like the the the true authentic platonic
ideal of Jack and that includes all the
things that are true about you properly
weighted. You a full person. And that's,
you know,
>> that's like what like my hopefully what
like my wife would know. This is like
between you and your wife and God like
that exists a
>> complete picture.
>> Yeah. And then there's the people who
know you personally. And for the sake of
simplicity, let's include people who are
very close to you as well as people who
are just like friends. And these are
people who actually directly know you
and form some opinion that's like a
resembling Jackish homunculus
>> uh of you.
>> And then there's the world.
>> Then there's the world. and the world
maybe they have this parasocial
relationship with you but basically they
see some um even more mini version of
you refracted from afar. This is like
the Walter Lipman theory of the the
purpose of the media originally is that
the world has too much data for us to
actually take in and therefore we need
something to compress it down to us for
a little almost like a metaphor of the
world that we then use. And so like the
model of Jack that people will make will
be some version of you. You get to have
some influence over that version. and it
still is based on this.
>> Someone watching this right now, it's
like this isn't a normal setup. Like
there's like cameras and lights and what
microphones and whatever. And so it's
like there's just no way for it to be
like that. And so then you have this
choice of like what side of you are you
going to expose? And I do think some
people choose to just be like whatever,
I'm just going to be who I am. And some
people think about it a lot more.
>> Yeah, it's worth thinking about what are
the things you want to intentionally
highlight about yourself. You know, as
long as it's also one of the things
that's true. If it's a subset of the
things that's true, you can choose like
these are the traits that are most
relevant and useful for the business for
people to know about me and I want to
highlight those. It's like, you know,
when anchors go on TV, especially Fox,
they wear a ton of makeup.
>> Yeah.
>> Which you and I should have done today.
We just slather on the makeup and that
is to like highlight their features so
that it so that it still uh in person it
looks almost macob, but like through the
camera it looks normal. And so for for
your personality traits and the things
about you, you almost have to amplify
them beyond what is normal in in this
kind of a setting so that it really
reaches the world. Like if you and I
were just uh hanging out today and you
told me one story about how you want to
run your fund like 10 times be a little
much for me.
>> Yeah.
>> But if you're moving through the world
and you tell that story 10 times
>> even personally hears it like once one
and a half times or something.
>> Yeah. Or like zero
>> or zero. Yeah. Five times maybe if
you're lucky.
>> Yeah. I think about this a lot with um
just like companies doing marketing. I
remember at Lattis like in the early
days when we were just you know first
doing this our team would be like oh
we've said this so many times. I'm like
yeah inside but outside it's like no
one's heard it like zero people know
about Lattice so we got to keep saying
it.
>> It's like that kind of idea and it's
weird to repeat yourself so much. Yeah,
>> but it's kind of what you need.
>> Yeah. Like how many times do you think
that
think different was said in how many
places before it stuck with you or you
know like uh Steve Jobs's stay hungry
stay foolish speech like how many places
did it have to show up before it like
reached you and then actually stuck
Steve Jobs is another great example of
this where the comeback story is like
this is his company the correct version
of this company has him in it and when
he's not there it's not the right
version we don't believe in it when he's
back it's become the company or it's on
the path to becoming the company it was
meant to be and it's like destiny
fulfilled.
>> Yeah. Can you talk a little bit about um
maybe some of the like nuances around
like choices of words and things like
that cuz I think like so many to that
point, you know, like think different or
like so many of the so many of these
messages that get repeated are actually
quite short.
>> Like you don't get a lot of words, you
don't get a lot of attention. Like
people can read a tweet at most. They
can read like half a tweet better. The
choice of words that sound very close
but aren't very close,
>> it like matters a lot. And people kind
of like speak off the cuff. Obviously
not you, but like yeah,
>> English is one of the largest languages
in the world because we've absorbed so
many words from other languages. I heard
someone make the joke they were dunking
on France and they were like, "Well,
there's no word for entrepreneur in
French."
>> That's good. Yeah, I like that.
>> Like so many of our double ant like so
many of our words come from other places
that we've just absorbed and then we've
made a bunch up on our own. And so
there's a vast array to choose from. And
the words that you choose actually, not
to put pressure on people, but the each
word that you chooses should be
loadbearing. In practice, you can't do
this with everything all the time. Like
when whenever this comes out, assuming
we don't say anything catastrophic in
the rest of this interview, it comes
out, I'm going to watch it and listen to
like 80% of my words and be like, "Oh my
gosh,"
>> Yeah. So, it it's impossible to to
really do that in practice. But when
it's something important like, "What are
you going to put on this million dollar
billboard campaign that you paid for?
What goes on your website? what are the
five words to describe your company?
It's um not the case that a bunch of
words that mean the same thing or the
same. The way they sound influences how
we feel about them. So like the word
sinister, which means it comes from the
word for left cuz left is bad and right
is good. um has a different feel, like a
different ear feel um because of the S
and because of the I versus words that
have rounder feels give people more of a
friendly um so if uh if you have um two
words that mean the same thing and one
is something with like S's and I's and
one is like with O's and B's and um the
second one will feel friendlier if there
are choices in how to describe your
product. So, so one of these examples
that I think is pretty famous, I've seen
a couple times is that if there's crime
sweeping, let's say San Francisco,
hypothetically, if there were crime
around here, one day if there were to
be,
>> uh, if you wanted to get people to think
about this, and you had two two choices,
one choice is the crime is ravaging
through the city, just rampaging like a
wild beast, and we need to get it under
control.
>> I'd be like, we got to stop it.
>> Got to stop it. Any means necessary.
National Guard, let's go. Right. And
then if the second one were crime is a
disease that is spreading and uh it is
spreading to more people in
neighborhoods and now you're starting to
think like yeah disease has patience.
Exactly.
>> And so you can put people in a different
mindset of like do they want to crack
down or do they want to try to send in
the social workers
>> through the analogy that you choose and
through the words that you choose.
>> Another example here is actually can we
go to human psychology for a second?
It's just adjacent. Okay. A lot of
founders go against the grain of human
psychology. Like we know not everything
about how humans form ideas and
thoughts, but we know enough. I mean, we
know a lot. So, here's an example. In
prospect theory, we know that people
have risk aversion. And we know that the
willingness to take a risk is basically
double if we're trying to avoid downside
than if we're trying to get new upside.
So like if you're at the poker table and
you might lose $5 versus win $10. You'd
have to win at least $10 for you to take
the same amount of risk.
>> Yeah.
>> So the way that startups talk sometimes
to let's say their customers
>> is okay what you've got now is mid and
we've got something much much better and
if you switch we'll offer you this thing
that's much better. you're actually
going against the grain of human
psychology because you're telling them
to take a risk on this newer unproven
startup and in exchange for that risk
they might get something that's better
than what they have now hopefully if
you're correct.
>> Yeah.
>> So the image would be like they're
standing on solid land and you're rowing
by in this rickety canoe and saying if
you get in my canoe I'll row you
somewhere really awesome.
>> Uhhuh. And you're like but I could be
drowning.
>> Yeah. Get my white van. Yeah. What you
want is the image of them on a uh
rickety canoe and you are on solid land
and you're like
>> come to us. We'll we'll save you. And
the way to reverse that would be sales
pitch number one is what you've got. I
know you think it's working. It's really
missing out on all these opportunities.
If you come with us, we can do this this
much faster, whatever. Right?
>> It's also where like a lot of sales ends
up being like you think that your land
is solid, but that's actually quicksand
and all your competitors are doing this
thing. And so what looks soly right now
is going to be gone.
>> Yeah. Yeah. Yeah. That's a good example.
So So a a good um version where you are
going with the grain of human psychology
would be that you are currently in the
losing state and your status quo is
actually the losing state and we want to
bring you in. Yes. Yeah. Yeah. Yeah.
Your default screwed.
>> I think the default dead thing is like
amazing. I I don't think it was
necessarily meant this way. I think it
was just like what came. But like that
YC sort of there there's a Paul Graham
post about it and I think it is
extremely poignant for startups.
>> Yeah. You're a dinosaur meteor's coming
>> and it's basically that you're never
stagnant. You're either going up or
you're going down and the default is
that you're going down as a startup and
you're fighting against that always and
that creates urgency.
>> Yeah. But if you're talking to a big uh
enterprise customer, you're talking to
like Barclays, they don't think
necessarily that they're going to fail,
but they should wonder if they're going
to fail eventually if they don't move in
the future with you. And so anyway, new
sales pitch would be the way things are
going with what you're using is going to
be obsolete in the next 5 years and your
competitors are moving to firm land and
what we are offering you is to not only
keep what you have, but to cement your
grip on leadership. A lot of this too
though is also why it's really hard to
start out by selling to those like it is
hard to sell to those big groups because
they feel stable. It's much harder to
incite that story in them than in you
know an upand cominging fintech company
who feels default dead every day.
>> Yeah. Some people will say like well
Barclays is so much sorry Barclays. Uh
it's so much bigger. They have more
money. Well if you think about 5 years
from now the companies that are going to
have the most money the most influence
highest rate of grow growth is probably
not going to be a Barkclays. It's
probably going to be one of these
companies that you could sell to today
that doesn't seem as impressive right
now, but you'll have more impact with
them because their baseline trajectory,
like their beta of growth is already
really high. So, if you add on top of
that,
>> you like looking even better. Yeah. Like
ramp, save time and money. 5%. Average
company saves 5%.
>> Um, and then the second thing is these
companies move a lot faster. So, in the
time it takes you to close one Barclays,
you could close like 10 of these
companies. The other challenge as I'm
thinking about it is even if you land
the story correctly, the average
employee at Barclays and again sorry
Barclays is cool but you know the
average employee there is not as
connected. They're like
>> I just am trying to not lose my job. I
don't want to do something stupid. Which
is another reason why like even if you
land the story the person there might be
like I don't care. My story is different
than their story.
>> Yeah.
>> Guess who's not going to sponsor the
Jackman podcast.
>> I think Barclays is great. Yeah. I have
no particular It's just an example.
>> It's a good example. Yeah. they're in a
good position
>> to tie all of this back to like what the
impact is. Um, and maybe going back to
the opening of the conversation of like
why people started to care so much. My
sense is that one of the reasons that
this comm's, you know, focus has
happened is because recruiting has
gotten so hard and people have realized
that it's deeply connected with
recruiting.
>> And it seems to me like for a bunch of
reasons, it's like harder than ever to
hire great people and the uh the gains
that occur to the companies that can are
very high. So the stakes on recruiting
are high. How does this actually
manifest for companies? Like what how
does the aura translate or not into the
recruiting?
>> This is where we get to talk about
Napoleon.
>> Ah, I need that.
>> It was waiting to happen. And here is
the moment. One of the best recruiters
of all time and one of the best builders
of morale of all time. And there's a few
things that go into this. So, first of
all, uh we don't even need to spend a
lot of time on why recruiting is so
important. I think every founder gets
it. And if you're not recruiting the
best people, you're mortgaging your
future. like you're just not going to
exist cuz you you can't build the best
product. Um, okay. What made someone
like Napoleon such a great recruiter is
he gave his men a cause bigger than what
it seemed like. It was a grander
mission. It wasn't just take this bridge
or it wasn't just fight this one battle.
Um, at the Battle of the Pyramids, which
by the way, he rebranded to the Battle
of the Pyramids because it sounds cooler
to have said I fought at the Battle of
the Pyramids.
>> It sounds incredible.
>> Yeah. And so he rebranded the battle and
then he said something like that the men
were gathered there for battle and he
said from the top of these pyramids
40,000 years of history are looking down
on you and what you're about to achieve.
Some version of this like
>> you I mean you're just going to perform
better and you're going to want to be
part of that army. That army has the
mandate of heaven. He would be branding
his army all the time. So, for example,
um when they were trying to take Britain
or they wanted to, I think it it would
have been called the army of Britain
probably because when they took Italy,
it became the the army of Italy, but
they were clearly not going to take
Britain. So, you don't want to be the
guy who was in the army of Britain and
Britain's clearly not part of France
now. It's like embarrassing.
>> So, that that's when he started
rebranding it into army,
which is so much cooler than army of
place we didn't conquer. Yeah. And then
there was uh a group of guys who were
sent to hold a bridge and the bridge was
within firing range of the Austrians.
And so that group of guys had a 100%
casualty rate. It was like you are
guaranteed to get shot if you go here.
So he sends the guys 100% of them get
shot. He needs new volunteers. And he
fills it with volunteers. And the way he
did that was that he branded the group
of guys. He called them le which means
the men without fear. And so you know
which one's more attractive like um the
guys who get shot.
>> Do you want to join the guys who get
shot or do you want to join the men
without fear? And part of it is you got
to go you got to go guard that bridge.
giving them uh this this magnitude of
what they're fighting for and then
giving them this kind of branding that
would make it seem like even if they
were shot for the cause, it would have
been something worth it and they would
have been proud to be part of it was a
big part. He um also made himself part
of the army as a soldier. You know, the
little corporal is is part of this. I
think um he started being called the
little corporal because he was aiming
the cannons himself, which is grunt
work. And so to to be there as a short,
not 5'3, but like pretty short guy
aiming the cannons. Um they called him
the little corporal and it was actually
like a really affectionate nickname of
he's in the trenches. He's like SSIA's
in the lab.
>> He's got hands on the keyboard. He's got
the craziest keyboard I've ever seen by
the way, but like his hands are in there
in the in the deep wells. And that's a
lot better than uh the CEO's just on
podcast and everybody's going to build
so that he can has something cool to say
on the next podcast. Um, he would eat
the same food. He'd wear the old gray
jacket. When he came back from exile, he
retook France with a thousand men in 11
days.
>> He landed. He was wearing his old shabby
stuff. He said, "This eagle is going to
fly from steeple to steeple until it
finally lands on the towers of Notre
Dame." And then he went and did that in
11 days. And then the people who came
who were sent to go shoot him obviously
didn't shoot him. He said, "Are you
going to shoot your emperor?" They
didn't. And how do you do that? Like how
do you get the people to follow you? so
dedicatedly that they will defy orders
to shoot you and instead join you. It's
because they think that you are their
true leader and that this company could
only be led by you. I think it's a good
mark of whether a founder has embedded
himself or herself so much in a company
that if they left it's not the same
company
>> that and that you're truly one of them
that you are giving them the cause that
you are giving them a way to um if
they're part of this team they're part
of something to be proud of like they
gain membership into something that
immediately gives them glory.
>> Yeah. I mean obviously like I'm as I'm
listening to that I'm like man that
sounds unbelievable and then like you
know you take it to something that is
you know inherently a little bit uh
calmer less sort of grand you know than
you know wars and conquering and all
that but still very important.
>> And so then tech companies either get
this or they don't and it somehow
translates into like recruiting you know
it's a little bit more mundane but it's
very real where then it's easy it's easy
for them to recruit or it's really hard
and they're either like fighting this
uphill battle or a downhill battle.
>> Yeah. Yeah. You can see this in the CEOs
who do amazing personal recruiting. So
like Brian Chesy recruits personally and
what I hear is that he just steps up as
somebody who could, if he wanted to, who
could go into the company and be one of
the best people in certain roles in the
company. Joe Jebby is still the same
way. By the way, there was one um one
day recently where he was like in Figma
designing websites, you know, by hand
artisan. Toby is like this uh at
Shopify. He is like the chief AI
tinkerer. He's not like, "Go use these
new tools. Good luck. Let me know how it
goes." It's like
>> he's like, "Look what I did.
>> Here's the thing that I made. You can
make it, too." He he he made this like
swarm or like team of agents before it
was even a thing. And then he made it
into a tool that the company could use.
Like how do you not get inspired to
follow somebody like that? So, so being
one of the people and being one of the
soldiers is still vitally important.
Scott Woo at Cognition is this like
incredible co uh engineers
feel proud to be at Cognition and they
feel proud that Scott is a peer to them
and there Scott's not the only legend at
Cognition. I think Genna is like u maybe
a recordbreaking
um coder and uh doesn't have any ego
about it but these these become your
peers and you're building a company
together. Uh same with like elite
researchers or or anything like that.
>> Yeah. And obviously, you know, like
taking biases aside that we all might
have, it's like if you look at even like
the big AI labs, the way
>> Do you have a favorite AI?
>> I don't have a favorite. They're all
great. Um, but
>> friends at all of them.
>> So, yeah, it's um they're all taking
different recruiting tactics, but I
think partially and they all have very
different brands and auras and it's
probably deeply related.
>> Yeah, I think so too. with the AI labs,
it's very it's actually a good case
study uh of there's no like permanent
moat with talent. You have to keep
earning it every single day. And a lot
of um the a lot of what goes into
whether people want to work at a place
is they look at the leader and they say,
"Do I identify with that person?" And
there's all these different archetypes.
It's actually really cool and and
wonderful to see like different personas
and different leadership styles. I am
like you. Like there are things that I
like more like less about each of them,
but they're all like magnificent and
impressive. And so there are people who
identify more with one or more of the
other and then kind of turns into the
team is shaped in the image of the
leader because over time people will
converge onto the style um you know of
uh the leader that is sused down to the
organization and then the the people
that they can attract.
>> Maybe to wrap up I'm curious about like
the way that you choose to sort of like
practice your business at a high level.
You can either be like internal and
focused on only one place or you could
do what you do which is where you work
with like a wide breadth and then I
guess you're learning things from one
experience bringing it to another. Maybe
you know a little bit less about any
particular entity but like you've got
these other advantages in that way. I'm
curious how you reflect on what's the
difference what's the collaboration
maybe between you and internal comms
when you're looking at these things like
how does it all play together?
>> The way I learned to do comms was being
just deep in one thing. So I I
co-founded a comm's company, but like my
main work there was Andre. People
sometimes will say like I helped Andre
with comms, but actually Andre helped me
with comms. Like working with Palmer and
Trey and Brian and Matt and those guys,
it's like necessity is the mother of
invention. Like they forced us to do
things unconventionally. And so that's
how I learned. And then through
Substack, which is still like very near
and dear to my heart. It was like live
and breathe Substack all day long. I
still work with Substack, but like just
live and breathe Substack 25 hours a
day. And then same with Activision's
Blazer. So, I've gone very very deep.
And the thing that's super rewarding
about this is that you get to fully own
um something and and if you mess up,
it's on you, right? And and if and if
it's great, then you learn from you can
build on it. I'm trying to form a
general theory of comms and I'm still
learning in the process, but I don't
want to confine that to just one place
because I actually want to change how
comms is done across the industry.
>> It seems like you probably couldn't even
get to the general theory of comms if
you only worked with one place. that
might yeah might
>> you probably need to see all of these
different examples to like get
completeness on
>> like I'm still in learning mode like I'm
still in kind of data gathering
iteration mode and um in my own head and
so um for for inputs I want to see more
broadly what is going on across um
different pockets of the industry and
then externally I really want the entire
industry all of us together to get
amazing at this because well what
happens in the aggregate right like if
if each company gets better at making
their case and gets more powerful and
hires and grows faster, then all of tech
grows faster and that's better for
America and the world.
>> Absolutely.
>> It's hard to do that from within one
company, but I still try to concentrate
as much as possible. So, instead of
taking like 30 clients, you know, I take
less than half of that. Instead of
growing the firm to be 80 people with a
roster of hundreds of clients, it's me
and my apprentice Gabby. And we have
probably yeah fewer than half of the
clients that we could have even with
just the two of us. And then out of
those there is a power law where there's
like specific ones where we like really
go deeper. So yes, number one I I um
sorry not to make this about me. I did
the meme of like we made it about me.
Okay. I do want to do the general
relativity theory for coms. Like general
theory for comms and that applies to the
industry more broadly. Sometimes I see
companies I had nothing to do with who
will the founders will write me like I
read your blog post and did this launch.
What do you think? That is magnificent
to me. Did I Did I get dollars from it?
No. I get deep satisfaction from seeing
that people are using these practices.
But within that, we do try to
concentrate as much as we can.
>> Let's imagine it's 10 years from now and
you've learned a bunch and things have
gone great and you're much smarter about
comms than you are now. Looking back,
what would you say is the thing that
you're most likely to be super right
about with comms and what do you think
is the thing that you currently are
least confident in your own, you know,
variable in the general relativity? The
thing that I have extremely high
confidence in is that comms is the final
bastion of human ability
>> where 10 years from now, 50 years from
now, the ability to persuade and win
over and make other people fall in love
for other humans will still be uniquely
human and and we have to get really
really good at that because AI can't.
Um, so it's like if not us, who? So, so
I I have very high conviction that this
is the ultimate skill that everybody
should practice and I also have very
high conviction that there's like this
um immutable desire for narrative
completion uh within humans. The thing
that I have least confidence in is the
form factor.
>> Is it videos? Is it podcast? What about
the role of the media? Is that shifting?
I do not recommend that people anchor to
a specific form factor and be like,
"We're the company that does great
videos or we're the company that tweets
a lot." Uh, I think that people should
be constantly experimenting. You need to
be ready to outrun your good your own
ideas. I've had to outrun my own ideas.
Like, if if we do a launch together with
a founder and it goes really well,
people will dissect that and then copy
it. You know, after the cognition
launch, I I saw people who just copied
Scott's thread like almost word for word
um in the exact same format. And if
everybody were to start doing that or
like those hype sizzle reels like the
the techno accelerationist montages and
now a lot of people are copying like the
Culy launch video and once it reaches
saturation it's actually cringe to keep
doing it. So you have to find oh great
it worked hooray that means I need to
find the next thing because if I push
the frontier here and it worked
everybody's racing towards me if I don't
get the heck out of here and find some
new frontier now I've lost my alpha and
we're like in the exact same place. So I
would say the takeaways from here are
you need to find your narrative alpha.
Um you need to find the way that
narrative makes your company even more
valuable than the fundamentals would
make it be. That's the job of the
founder. That alpha can be positive or
negative. People that alpha is
determined by the homeostatic set point
that people think your company deserves
and where you are now relative to that.
And that this is the skill that every
human should try to master as much as
they can.
>> I love it. I was gonna end there, but I
have one more thing I got to ask. You
mentioned the media and you obviously,
you know, are big about going direct and
how important that is. But if you had to
guess, where is this dynamic going to go
with tech and the media and that
relationship? Cuz it used to be that all
the announcements happened there. Now
there's this hybrid mix. There's a sort
of lovehate relationship. Where where
will this where will this trend line go?
>> I think we're um going back uh towards
the media actually being more relevant.
And this is why I say not to be
dogmatic. Even in my very depths of
distrusting the media and being
blackfilled about the media even then I
had reporters that I knew and trusted
and it was mutual and we could work
together and I would try to be helpful
and and today like last night I was
hanging out with a bunch of tech
journalists and um and they were saying
that they appreciate my outlook and I
appreciate theirs and um going direct
does not mean that you have to boycott
the media. It means that you can't uh be
dependent on others. You need to create
self-sufficiency and then you can choose
to collaborate with the media but it's
not that oh nobody wants to cover this
story so I'm just up the creek.
>> So where is this going? I think actually
that media is becoming more relevant.
There was sort of like a nayir in tech
media relations where it's like very
combative and now the relationship is
better. The coverage is better. There's
sort of also some fresh blood in tech
journalism that is very curious and
forwardleaning.
>> That's definitely true. And now that
people are getting more of their
information from say Chachi BT or Claude
or whatever,
um, media can be very helpful for that.
You know, Claude is not necessarily
going to tell you, well, three people
tweeted about you favorably today and
some like anime profile picture said
this thing about you, but if there's
like one article in in an outlet, it can
kind of solidify that for you online. We
were overly reliant on the media and
then it became very competitive and and
I think we're reaching a new equilibrium
collaboration.
>> Sounds good to me.
>> That'd be great. Lou, this was amazing.
Thank you so much for your time doing
this. I really enjoyed it.
>> Thank you.
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